Faulkner won the 1949 Nobel Prize for Literature for "his powerful and artistically unique contribution to the modern American novel." It was awarded at the following year’s banquet along with the 1950 Prize to Bertrand Russell. Faulkner detested the fame and glory that resulted from his recognition. His aversion was so great that his 17-year-old daughter learned of the Nobel Prize only when she was called to the principal’s office during the school day.
De la entrada de la Wikipedia sobre William Faulkner.
I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
Interesante. De una entrevista de Faulkner a The Paris Review.
Más (cómo duele, particularmente la primera cifra):
Is there any possible formula to follow in order to be a good novelist?
Ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work. He must never be satisfied with what he does. It never is as good as it can be done. Always dream and shoot higher than you know you can do. Don’t bother just to be better than your contemporaries or predecessors. Try to be better than yourself. An artist is a creature driven by demons. He don’t know why they choose him and he’s usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done.
Procedente de la misma entrevista.
De acuerdo, sé que no debería, pero me siento, por así decir, obligado.
No. The writer doesn’t need economic freedom. All he needs is a pencil and some paper. I’ve never known anything good in writing to come from having accepted any free gift of money. The good writer never applies to a foundation. He’s too busy writing something. If he isn’t first rate he fools himself by saying he hasn’t got time or economic freedom. Good art can come out of thieves, bootleggers, or horse swipes. People really are afraid to find out just how much hardship and poverty they can stand. They are afraid to find out how tough they are. Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don’t have time to bother with success or getting rich. Success is feminine and like a woman; if you cringe before her, she will override you. So the way to treat her is to show her the back of your hand. Then maybe she will do the crawling.
La comparación final (success is like a woman) habría destruido su carrera en caso de manifestarla en la actualidad, una señal muy esclarecedora de qué tipo de mundo podrido es la modernidad.